Music. Marketing. Social Media.

Ian Rogers (CEO of Topspin Media, another company I have a crush on) posted a brilliant article yesterday about how a band he’s co-managing (Get Busy Committee) is marketing and releasing their newest album, Uzi Does It.

You should read the full article here.

If you’re slightly lazy, I’ve taken a few excerpts from the original post (emphasis mine).

At Topspin we generally talk about three stages of development:

1. Creating awareness
2. Making connections
3. Monetizing

We sometimes hear artists complain: “Dammit! I’m not selling anything!” Usually it’s a result of skipping straight to #3 above and not concentrating enough on #1 and #2. Consumers have an unlimited number of places to spend their time and money today. How are you getting in front of them? It is not a build-it-and-they-will-come world. How many you will sell is a small (and relatively consistent) percentage of how many people you have looking at a buy button. More impressions equals more sales, and most importantly none equals zero. If you have a very small number of fans (as we did, starting with zero emails, zero Facebook fans, zero Twitter followers, and just a handful of MySpace friends) IMHO you start by creating awareness and connecting with folks, not concentrating solely on selling.

The object was to make the site:

1. Home base. The top SEO result for “Get Busy Committee” and anything else related to the band.
2. Vibrant. It should update with the latest information about Get Busy Committee with very little effort, from a variety of sources. Furthermore, we weren’t going to spend time or money building any of these tools from scratch. We integrated WordPress and Twitter to make sure it was easy to update with long or short-form updates (respectively) easily.
3. A fan acquisition tool. The site should be sticky like fly-paper. If you visit the site you should have an incentive to leave behind your email address, follow GBC on Twitter, become a fan on Facebook, a friend on MySpace, friend on Flickr, subscriber on YouTube, or subscribe via RSS. We may only get one chance to make a connection with you. We don’t want you to bounce in and bounce out without granting us permission to reach out to you later with an update.
4. A tool for fans to create other fans. Every page of the site is instrumented with simple ways to share on Facebook and Twitter, and feedback for having done so either in the form of a counter or free music for having done so. We want it to not only be easy to spread the word but for you to be recognized for having done so.
5. A place to convert at whatever level of fan you happen to be. Never heard of Get Busy Committee? No problem, you can stream the record or download a few songs for free. Super fan? How about the T-Shirt/USB Flash Drive combo for $55? Somewhere in between? No worries. We have something for you.
6. Useful. If you’re a college radio DJ who needs a clean version to play on your show or a beatmeister who wants an acapella to remix that should be easy to find. If you’re a blogger writing about the band there should be a special page for you, even if it’s not linked from the front page. Anything you email to people regularly should be on the site and easily linked to.

Once we had the site up and running, we needed to create some awareness. We did a few simple things to bootstrap those first few views:

1. Created a unique product. By creating the Uzi-shaped USB we had a hook, something people could talk about.
2. Leaked some music. We took two songs from the album and made them available for download in return for an email address from GetBusyCommittee.com, and available for streaming on MySpace, Facebook, iMeem, Last.fm, YouTube, and iLike.
3. Told the world. We worked every source we had to get the word out, Twitter, MySpace, Facebook, email, blogs, friends, family, etc. We even bought a few Facebook and Google ads (more on that in a later post).

We started with a range of products, things we’d buy ourselves if we were fans:

1. A cheap digital download. $6 gets you the whole album in high-quality 320kbps MP3, CD-quality FLAC, or CD-quality Apple Lossless format.
2. An inexpensive CD with an immediate digital download. Buy the CD, download now. CDs printed on-demand by our friends at Kufala. Oh and the shrink-wrap is smokeable so every CD comes with free rolling papers.
3. An Uzi-shaped USB flash drive and an immediate digital download. This was the most difficult piece but also the linchpin. We had to get this sourced by a company that deals directly with manufacturers in China and had to spend money up-front to buy a few hundred. To be honest I was very reticent to spend the money. But since these have constituted about 40% of our sales at a good price point as well as garnered us the most attention it was certainly money well spent. We’re already about 50% sold through our order, which is completely unexpected for me.
4. High-quality t-shirts added to any of the above. We partnered with street wear company True Love & False Idols to do a high-quality shirt. They’re fashion-quality and fashion-priced and as a result we aren’t selling a ton of them on the site just yet (they’re also not merchandised particularly well at the moment, I plan to correct that later in the cycle). But also as a result we have interest with some great retail outlets such as Suru LA, who will be selling an exclusive version of the shirt along with a CD starting this week.

When people talk about what Trent Reznor did with Ghosts they always mention the 2500 $300 box sets he sold but rarely do they mention what is perhaps the most genius concept he introduced with that offer: the price point of FREE. What Trent really did was look his fans in the eye and ask them, “So, how big a fan are you?” But he also acknowledged that “not that big” or “I dunno yet” was a perfectly valid response by saying, “if you’d prefer to spend nothing, I have a package for you, it’s half the album.”

I really can’t say how much this post hits the proverbial nail on the head. Ian (and Topspin) GET IT. They GET that music isn’t just “put my shit out there for people to buy, flood the airwaves with my song over and over again, plaster banner ads and billboards anywhere my ad budget will allow and see the money roll in”.

They GET that it’s about connection with fans.

They GET that music is about that relationship.

They GET that it has to be sustainable – you have to end up selling shit (who knew!)!!

I also ran across a great interview with Ian, conducted by Wired. Check it out:

NARM 2009 Keynote Interview With Ian Rogers from NARM on Vimeo.

Tags: ian rogers, innovation, marketing, social media, topspin, Twitter

This entry was posted on Tuesday, November 10th, 2009 at 2:00 pm and is filed under marketing, music, news, social media. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.